|J Dilla by Jed Cablao (Deviant Art)|
I happened to be on Soundcloud the other day just randomly checking for music, and I came across one of DJ Jazzy Jeff's sets. I'm more familiar with his work as an actor on "The Fresh Prince of Bel Air", but the originator of the Transformer scratch is an actual practising DJ. The set he was playing was a tribute to J Dilla; I believe "Dilla" or "Dillalude" was my original search parameter. The Dillalude was actually my introduction to musician Robert Glasper - accomplished pianist and J Dilla fanboy - who does an interesting interpretation of Common's "TheLonious" (another track produced by J. Dilla). I'm always searching for new interpretations of the Dillalude, in which Glasper manages to sneak in multiple of Dilla's productions.
Anyway, back to DJ Jazzy Jeff's "Dilla Tribute" set. It was touted as containing both his well known, lesser known and even unreleased tracks. Around the quarter mark, DJ Jazzy Jeff starts playing an obviously older track that had a haunting Oboe intro that segued into this rapid keyboard rhythm accompanied by light rapid fire drums. This gave way to the graceful female singer who sings a difficult quick tempo part; shortly after, the rest of the band joins in the singing of the chorus, adding great shades of harmony to the whole effort. And then, it happens: Jeff starts to fade out the track, and appears to be modulating the track as another male voice starts to drop the intro to a rap song. Then the heavy bassline drops and the rap song continues buoyed by the looped modulated chorus motif from the previous band.
With a bit of an assist from the Shazam app, I was able to swiftly pin down both tracks. "Knowing when to Leave" (from The Burt Bacharach Medley) by the Carpenters and "Yum Yum" by Slum Village. Great work by Dilla on the sampling job, but the final product seemed a bit raw because the bass guitar he added to the mix seems a tad overpowering. Also, the vocals seem a bit washed out (probably a recording issue). The Carpenters on the other hand are a whole other story. Karen's vocals are unmatched, and coincidentally she also plays the drums on the track. Richard is light, swift and enchanting on the keys. However, while Dilla samples their track, the Carpenters are actually covering someone else's music. Yep, Burt Bacharach & Hal David to be exact. When they originally made this track, they had frequent collaborator Dionne Warwick doing the singing.
From reading up on some of the comments about the Carpenters' video on Youtube, I found out that President Obama had a night of music at the White House which honoured Burt Bacharach (& Hal David posthumously) with the 2012 Library of Congress Gershwin Prize for Popular Song. Conveniently, the whole performance was on Youtube and was a star-studded affair in which various musicians (Stevie Wonder, Diana Krall, Arturo Sandoval, Sheryl Crow, Mike Meyers? et al) took turns in singing Bacharach/David hits. You have to witness how much virtuosity one person can plug into playing the harmonica when you get to experience Stevie Wonder's extended solo on "Alfie". However, my highlight from the whole event was Sheléa and Arturo Sandoval on "Anyone Who Had a Heart"
I'm surprised I'd never heard of this ballad before because it has done quite the rounds. Originally performed by frequent Bacharach/David alum Dionne Warwick, it has been covered by many an artist, with each artist making the song their own. No proof of this is more evident than in Luther Vandross' rendition of the ballad. To her credit, Sheléa also make this song her own. Her vocals stamp their authority on her beautiful piano playing; starting out as a mere whisper, her singing reaches a crescendo that has her sounding part Whitney Houston, part Tamia. She conveys the full range of emotion from pining to hurt to desperation, and she'll leave you engrossed. A sprinkling of Mr. Sandoval's horn brings the full melancholy into this song. The Bacharach/David team certainly deserved to be feted for just this gem alone.
It certainly proved to be quite the musical marathon in one short evening. It has definitely opened up a wide range of artists and genres for me to explore. Thankfully though, between Youtube and the rest of the net, I think I'll be up to the task.
As you embark on your musical journeys, may God speed you well.